Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Copyright has not been assigned to the Regents of the University of California. The artist of any work retains all rights to that work. This photo is of a detail of an assemblage with sugar skulls and a miniature gas pump. ![]() Responsibility for any use rests exclusively with the user.Ĭonsult repository for copyright holder informationĬalifornia Ethnic and Multicultural Archives, Dept of Special Collections, Donald Davidson Library, University of California, Santa Barbara, CA 93106-9010 (805) 893-8563ĭescription Aida Mancillas and Robert Sanchez were among the artists whose work was displayed at the exhibition at the Centro Cultural de la Raza, San Diego. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Library, Department of Special Research CollectionsĬollection Centro Cultural de la Raza archives Publication Information California Ethnic and Multicultural Archives, Dept of Special Collections, Donald Davidson Library, University of California, Santa Barbara, CA 93106-9010, (805) 893-8563, URL: J'ai regardé autour de moi, beaucoup n'étaient plus là.Title En Memoria Exhibition Creator Centro Cultural de la Raza, OrganizerĬontributor Centro Cultural de la Raza, Organizerĭate Created and/or Issued October-December 1987 La terreur a persisté jusqu'en 1983, 7 années pendant lesquelles ceux qui m'entouraient pensaient que j'étais une petite fille en marge de cette peur. Le 24 mars 1976, la dictature militaire s'installe en Argentine et avec elle, le terrorisme d'état. Voyage initiatique aux confins de la survie. At the bottom of the screen flow the subtitles of a Spanish voiceover which portrays the terror in graphic terms before concluding with the words: "I have seen everything. On the left of the image we see black and white pictures of soldiers in armoured cars, while running simultaneously on the right are super-8 colour movies of a typically happy family. "The harsh reality of oppression and her carefree childhood as a part of a happy family are placed literally side by side. I meticulously recompose some pieces of my past. The military dictatorship takes the power in Argentina. Some images distant, a sordid fight, a lost total of the sense. Not to be able to stop in the frantic search of the identity. Intento recomponer minuciosamente algunas piezas del pasadoĮs una cuestión de tiempo estoy sin identidad. ![]() Año 1976, la dictadura militar se instaura en Argentina y con ella el terrorismo de estado. ![]() Algunas imágenes lejanas, una lucha sórdida, una perdida total del sentido. No poder detenerse en la búsqueda frenética por la identidad.
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